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Pre-release review from http://www.jettstream.com/home.htm

10.13.02
The session up with Jeremy Wood is complete! Jeremy is a strong pianist and singer/songwriter in the vein of Randy Newman with Don Henley's vibrato, Martin Sexton's phrasing, and a dash of Lyle Lovett pitched in (our humble opinion!). A pleasure to work with, the session should prove a great listen when it is released. The track "Won't be lookin' back" features Jett trading licks with Houston's finest bassist, Keith Vivens. Engineered and produced by Donnie Boutwell, this should be a fine bit of blues-rock-americana when complete.
Piano/Vocals/Songwriting : Jeremy Wood
Upright and Electric Bass : Keith Vivens
Drums: Donnie Boutwell (Currently on tour with Bebo!)
Guitar: Jett Butler
Backing Vox: Talitha Bullock
SPECIAL THANKS: Rock Romano's Red Shack Studio provided the amps for this session. Show the man some love!


It Might Please You...It did me.

Review of J. Michael Wood's The Grey Life

By Paul Williams

J. Michael Wood steps into the mainstream with his breakthrough album The Grey Life. From the first song "I'd Be Gone", J. Michael introduces us to his confident soulful voice and bulletproof lyrics. J. Michael tips his hand to show his diversity from his blues-lullaby "It Might Please You" to his ultra-funky "Won't Be Lookin' Back."

The momentum of this album remains constant from it's beginning to the heartfelt conclusion of "Sleeping Angel." It is heart that propels this collection of tracks; J. Michael cuts out the fluff and leaves us with six sincere textured songs. The themes of the tracks deal with love and life and tell that things are not always black and white.

The result is a powerful uncompromising record that is sure to propel this new artist into the spotlight.


The Grey Life by J. Michael Wood a Review

New musicians emerge every day but seldom is their pitch as perfect as J. Michael Wood's. Each note he picks is clear and perfect and, most importantly, appropriate. And when his voice isn't featured, his nimble fingers on the ivories are.

My number one favorite on his album is Workin' On It, which spoke to my heart. All of the themes evoked the title of the album, The Grey Life, speaking of the general uncertainties everyone feels at early midlife. I loved the piano sequences in It Might Please You. The biggest number was the fifth cut, Won't Be Lookin' Back, very jazzy, more instrumental and probably more what Wood envisioned with unlimited resources. In the sixth cut, Sleeping Angel, he sings "most of the luck I've had has been bad" and I'd like to refute that. Knowing Wood's luck as an infant and beyond I can tell you he has been lucky enough to be brought into a very loving extended family and to have found a very loving relationship as an adult.

This is a very pleasing album musically, perfect pitched and ably performed. But moreover, it is a compelling call to those of us who are struggling with what our lives mean, whether we are in our 30s, 50s, or beyond.



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